
Moscow Life: Looking In
Moscow stands out not only because of its places but because of its sheer social
complexity. In a place where the population approaches 10 million, this is more
or less expected. As the largest city in Russia, it also plays a hugely
disproportionate role in Russian life. It is the home to Russia's TV networks
and the vast majority of its financial, cultural, and intellectual elites.
Although Russia is very large country, Moscow is still in the vanguard of the
changes sweeping Russia -- although some trends never leave the city.
All the News that's Fit to Disbelieve
In the early 00s, Moscow had a bewildering variety of newspapers, both in
Russian and English. Most were controlled by the Oligarchs, the very rich who
privatized the riches of the USSR into their own pockets. The Russian press
varied from being sensational (Komsolmolskaya Pravda) to pro-Communist (Pravda)
to pro-business (Vedomosti, which was linked to the Wall Street Journal). Some
newspapers were founded as break away publications when the original changed
oligarch owners (Izvestia and New Izvestia, for example). Oddly, the most
profitable newspaper was dedicated to advertising things for sale -- "From Hand
to Hand", which is a type of Russian Pennysaver. This one was started by a
military officer but bought out by a French conglomerate that prints Elle and
Car and Driver in Asia. Although most media outlets were either oligarch or
state controlled, some occasionally acted something like a free press. I can’t
say Moscow had a free press but I won’t say it was completely unfree either.
There was pressure on journalists from the government and from oligarchs and
others who might be affected by a story. However, some people published what
they thought anyway.
The English language press was a mix. Most expats read the Moscow Times out of
sheer desperation because it was the only almost-daily paper (there were no
Sunday and Monday issues). Although they were sometimes capable of good
journalism (such as with the stories about ballot rigging in the 2000
Presidential election), the Moscow Times can also badly miss the boat. They have
made some whopping mistakes, such as when they took umbrage at Moscow city's war
against an overpass leading to a new Ikea store. While Russian officials can be
venal, there also might be legitimate reasons for them to dislike building the
overpass near a major war memorial -- this one marked the closest advance of the
murderous Nazis to Moscow. Imagine putting an overpass over the Iwo Jima
Memorial or the Arc de Triumph. The Moscow Times also complained about those
silly human rights campaigners opposed to President Putin's ongoing
strangulation of the free press. A little later, NTV went off the air, ending
the country's brief experiment with semi-opposition-controlled TV. It seemed the
worriers were right.
Controlled by the oligarch Gusinsky, NTV certainly wasn't free or fair media but
at least was wasn't all Kremlin TV all the time. Its shamelessly pro-Yeltsin
coverage during the 1996 Presidential election was far from fair. Sure the
Communist challenger Zyuganov was a Soviet troglodyte but being objective would
have made his huge deficiencies clear to most people. Even worse, Gusinsky was
not above using NTV for his own purposes. Despite this, there were some
worthwhile shows such as the unbelievably long and misnamed "Itogi" or Summary,
a two hour round up of the week's news. Itogi attracted the ire of the
Kremlin by opposing its insanely brutal war in Chechnya. Despite its Itogi's
earnestness, I'm surprised anyone stayed awake through the entire thing.
But even more despised was the savage political satire Kukli (Puppets)
where every conceivable Russian politician was represented by a puppet
caricature and ruthlessly satirized. In one episode, Russia's politicians were
depicted as hookers while in another they were blasted into space as a New
Year's present to Russia. After NTV was taken over by Kremlin allies in early
2001, Kukli was not taken off the air -- it just became shamelessly pro-Putin.
Another paper worth mentioning was the famous (or rather infamous) Exile and its
Russian sister publication, The Stringer. Famous for its club reviews and
extreme iconoclasticism, the Exile varies between being stupid, hilarious,
revolting and brilliant. The writing was uneven but mostly read like something
you would see if talented by wild teenage guys had complete freedom of the press
in high school. At its worst, Exile's Death Porn section went into the gory
details (with photos) of various murder or accidental death cases. If you love
seeing dismembered bodies, this is the place to go. On the brighter side, much
of the Exile focused on the sexuality of Russian women. Most surprisingly, it
was also unafraid to report on controversial things such as slavery in
Bashkortostan or to protest the U.S. war in Yugoslavia. Especially valuable were
their ratings of clubs ranked by costs, flathead factor (where the thugs were
more or less likely to rearrange your face) and where you were most likely to
pick up someone, the so-called "Fakhie Factor". Other classic features included
Russian politician trading cards and a contest for worst journalistic writing
about Russia. Even better, Exile was not afraid to puncture big egos or to
humiliate readers dumb enough to write them letters. Love them or hate them --
it was hard to ignore them. The fact that they are mentioned here is likely to
get me skewered -- but that's all part of the fun.
Note: This is only a partial excerpt of the
book, which is available on request. I will be adding
photos to this page in the near future.
